Decomposing Master Texts: A Note on Language and Evolution

In the Fall I went to Vancouver to read a paper at the joint American Anthropological Association / Canadian Anthropology Society conference, Changing Climates. I spoke alongside colleagues with whom I took a Medical Anthropology course taught by Dr. Kristen Bright. The title of the panel was The Extended Life of Things: Vitality, Materiality, and Justice at the Edges of the Person which was vague enough to allow us to speak about a wide variety of experiences including legal positivism, mental health, organ transplants, end-of-life care, and the dimensions of natural environments.

Here is a different version (start at 39:37) of that talk I delivered as part of the Northeast Modern Language Association‘s conference in 2021 as part of a the panel Changing Worlds Through Material, Embodied Texts.

Decomposing Master Texts: A Note on Language and Evolution. My talk starts at 39:37.

[snip]
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In 2009 two Canadian poets travelled to five different ecosystems within the borders of British Columbia. At each location, they left a copy of the canonical text of physical anthropology, Darwin’s Origin of Species (1859), open to the elements for one calendar year. The project, documented in the photographic book Decomp (Collis & Scott 2013) turned the poets’ usual mode of expression on its head: instead of manipulating words to create a final work of linguistic expression, the poets let nature dissolve the integrity of the book, leaving words and morphemes dangling in poetic fragments.

[snip]

A published version of this paper is available in the journal Technology and Language here (Technology and Language 2(1) 2021)

Epistemology of the Large Hadron Collider, CERN

I’m currently taking part in a series of online workshops hosted by the Epistemology of the Large Hadron Collider Research Unit at CERN. The conversations are focused on what we mean when we speak of the ‘virtual’ in science and philosophy: virtual particles, virtual reality etc.

On March 19, 2021 I’ll be presenting a paper entitled “Emergent Metaphors of ‘Virtual’ and ‘Artificial’ in Computer Science in the 1950s”

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